My artistic practice stems from a deep urge to communicate, both with myself and the outside world. My work forms a harmonious interplay of disciplines, blending sculptures, furniture, ceramics, paintings, drawings, and digital creations into a unified whole. In this creative landscape, I weave recognizable elements and textual layers with abstract expressions, generating a dynamic tension.
At the core of my work lies a personal visual language rooted in my experience with chronic migraines. The obsessive repetition of lines and the distorted symbols I create form what I call my "structured chaos." This structure provides a calming counterbalance to the visual turmoil of thoughts and the yearning for order. For me, this process of line-making is more than aesthetics; it becomes a form of communication—a way of writing without words.
This communication is neither immediately readable nor recognizable. The texts and lines I incorporate blur and overlap, creating an ambiguity that is central to my vision. Rather than offering fixed meanings, my works invite viewers to look beyond the surface and to feel. They are an invitation to embrace engagement and interpretation—a call to find space in what is not immediately understandable. The tangible layers in my work form a "skin," making the tension between freedom and limitation palpable. They reflect my struggle to find my place in a world that often expects silence or conformity.
At the same time, these layers create a space for the viewer, where personal interpretation takes precedence. What is an intimate process for me becomes an invitation for self-discovery and connection.
My practice exists at the intersection of personal expression and collective interpretation. My work explores the urge to carve out space, to communicate, and to find a voice in a world full of boundaries. It offers freedom in form and expression while challenging viewers to explore their own desires, impulses, and interpretations.